FBS Foundation
About Us
BOARD OF TRUSTEES
PRESIDENT
Founder
Yolanda Fernández -Barredo Sevilla
PhD in Architecture, technical expert, businesswoman
VICE PRESIDENT
Founder
Juan José Sánchez García
Architect, designer, promoter, builder and technical expert, and businessman
VICE PRESIDENT
Luis Egido Valtueña
Lawyer, Egido Law Firm
CONSULTANT
Manuel Piñeiro Souto
Ambassador
EXECUTIVE ADVISER
Santiago Sáenz Samaniego
Graduate in Art History, documentalist and museologist
TREASURER
Marta Hernández Ibañez
Economist-accountant and investment advisor
EXECUTIVE ADVISER
José Antonio Hernández Latas
PhD in Art History, researcher at the Aragonese Agency for Research and Development (ARAID) at the University of Zaragoza
EXECUTIVE ADVISER
Soraya Casado Muñoz
Businesswoman
EXECUTIVE ADVISER
Ángel Escorial Pinela
Antique dealer, restorer
EXECUTIVE ADVISER
María Concepción Castrillo Llamas
PhD in Medieval History, Archivist, Head of Collections Access and Research at the Imperial War Museum, London
EXECUTIVE ADVISER
Rafel Bernis i Biarnés
Former Head of Corporate Image at La Caixa.
MEMBER
Esteban Hernando Martínez
Bussinesman – Specialist in computer technical means for virtual reality and metaverse. Promoter and editor in the media..
MEMBER
KLUMPCOL, S.L.
FBS Collection Manager.
Representative: Leticia Egido
Anaglyph made by A.C. At La Granja de San Ildefonso (Segovia), 2022.
Founding act
Rafel Bernis – Anaglyph
DIRECTORS
Management
Photography: Self-portrait
Juan José Sánchez García
Architect and collector.
Architect by ETSAM of UPM (1984 – specialisation in structures), his work between 1984 and 2008 has been focused on the realisation of architectural projects, construction management, builder, …; being associated with different companies and performing teamwork in all of them.
Until 2008, his work focused on the development of projects, management, construction, promotion and real estate.
At the same time, he carried out studies in his area of expertise, but since 2008 he has concentrated his activities in the insurance and legal sectors, to which he has devoted himself exclusively until today.
Photography: Juan José Sánchez García
Dr. Yolanda Fernández-Barredo Sevilla
Architect and Collector.
Architect by the ETSAM of the UPM, specialising in Urban Planning and Doctor of Architecture (by the ETSAM, 1994) with the thesis ‘ARCHITECTURAL PHOTOGRAPHY AS APPLIED TO THE CASE OF MADRID.1800-1945’.
Summing up her training, only in terms of research, she began his teaching career at the ETSAM (1980), as an assistant to the Chaired Professor Helena Iglesias (Department of Architectural Composition), and she was awarded the Acha Urioste Scholarship for the cataloguing of the photographic collections of the Department, where she developed that practice. Later, after finishing her degree, she was awarded the Research Staff Training Grant (1991-1995), and after obtaining her PhD degree, she taught her subject in several doctorate courses (on photography 1994-1996). During that time she trained as well with an introductory course on photogrammetry and two courses on Professional Photography.
At the same time, since 1992 she began to train as expert investigator in all branches except automobile, focused on insurance and judicial activity, being this her activity until 2020.
Management
Cristina Keller Ledesma-Ramos
Director of Communication and Projects
Degree in Advertising and Public Relations. Universidad Complutense de Madrid
Trustees and Founders (President and Vice-President) of the
FBS FOUNDATION FOR THE STUDY OF THE HISTORICAL FOOTPRINT OF STEREOSCOPIC PHOTOGRAPHY, AS SCIENCE AND ART.
The joint direction of Juanjo and Yolanda is carried out in order to maintain the foundational criteria of the objectives and aims of the FBS Collection, and its usefulness for the use of researchers who carry out work with social and informative purposes.
It is intended that, starting from an empirical fact, once the evidence on which the observations are based has been verified, a reasoned discussion is generated that has a proven relationship (in any possible sense) that will allow us to appreciate, objectively, an almost mathematical understanding of the different histories of photography and their points of confluence.